Orifices
hydrostone and string
44" x 16" x 2"
2011
Orifices
hydrostone and string
44" x 16" x 2"
2011
Orifices
hydrostone and string
44" x 16" x 2"
2011
Drawings Nos. 1, 2, 3
Installation view
hydrostone, poplar, and latex paint
Dimensions variable
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Drawing No. 1
hydrostone, poplar, and latex paint
53" x 13.5" x 6.5"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Drawing No. 2
hydrostone, poplar, and latex paint
45" x 11" x 7"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Drawing No. 3
hydrostone, poplar, and latex paint
50" x 16.5" x 7.5"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Drawing No. 3, detail
hydrostone, poplar, and latex paint
50" x 16.5" x 7.5"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Drawings Nos. 1, 2, 3
Installation view
hydrostone, poplar, and latex paint
Dimensions variable
2012
Prowess
hydrostone and aluminum
15" x 10" x 2.5"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Trio
hydrostone and wood
5" x 5" x 2"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Pincer
hydrostone and found crab claw
6" x 2" x 4.5"
2012
We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.
Organ
Poplar
17" x 3" x 4"
2011
Blood Shrine (17 Days)
Fabricated steel, glass, and blood
66" x 30" x 3"
2011